摘要:The mural of Ming Dynasty in the Great Buddha's Hall in the Princess Temple in Fan Shi,Xin is a masterpiece with the great historical and artistic value,merged with ancient Confucianism,Buddhism and Taoism.The paintings are drawn on the four walls of the Great Buddha's Hall,which are excellent and amazing with various of people and fairy figures.So far,the study of these paintings has focused on land and water drawings,the stories of the paintings,the identity of the figures,and the living time of the painters,without the research on the overall composition.The paper,based on the field-visit and reference to related literature,outlines the mural,studies deeply the design layout,and summarizes the composition law of the land and water paintings.%繁峙公主寺大雄寶殿明代壁畫是我國現存較為完整的儒、釋、道三教一體的水陸壁畫精品,具有極高的歷史和藝術價值。公主寺壁畫主要分布在大雄寶殿內的四壁上,全殿壁畫規模宏大,人物眾多,仙佛鬼神聚于一堂,技藝精湛。目前對公主寺壁畫的相關研究主要是從水陸畫、壁畫內容、人物身份、作者年代等方面進行,還沒有專門關于畫面整體構圖的研究文章。公主寺均衡對稱式構圖,極具特點,體現公主寺壁畫的整體性和完整性。全殿東西壁畫整體以正中釋迦佛為中心嚴格對稱;每幅壁畫又都以各自的中心對稱。壁畫整體中心突出,畫面局部有趨向中心的動勢,是非常典型的水路壁畫的構圖樣式。文章在實地考察的基礎上,查閱相關文獻,繪制了公主寺壁畫整圖的線稿,對公主寺壁畫的設計布局,對稱構圖形式作深入研究,總結出公主寺水陸畫的構圖規律。